Synopsis

The seven short films in this program radically push towards new and singular forms of expression. Through the use of archival footage, historical recreation, and dreamlike narratives, these films grapple with the past and the future of cinema — and the world. Featuring works by Marisa Hoicka, Isadora Neves Marques, María Salafranca, Valentin Noujaïm, Chi Jang Yin, Alison McAlpine, and Kevin Jerome Everson.

Teen Girl Fantasy (Canada) is a poetic archival excavation of the complex cultural signals surrounding teen girlhood. In My Senses Are All I Have to Offer (As minhas sensações são tudo o que tenho para oferecer) (Portugal), Lourdes and her girlfriend Lana can communicate telepathically using “sensory pills.” Black Shadow (Negra sombra) (Cuba) is a delicate and deeply moving portrait of Maria, a griveing woman. In To Exist Under Permanent Suspicion (France), a woman has fantasies of burning the skyscraper in which she works. Newly discovered archival images of postwar Hiroshima mix with contemporary footage of the city in I Was There, Part II (U.S., Japan). In Perfectly a Strangeness (Canada, Chile) three donkeys wander an abandoned landscape and come upon an observatory. And Hazel (dual) (United States) is a dual-screen recreation of Eddie Hazel’s famous 10-minute guitar solo on the song “Maggot Brain” by Funkadelic.

Synopsis

Using diverse methods of observation, animation, and essay, the filmmakers in this program showcase the flexibility of documentary form. Each zeroes in on a unique point of view, eliciting intimate first-person portraits about the broad spectrum of human experience and emotion. Featuring works by Haley Watson, Saurav Ghimire, Leo Berkeley, Samira Elagoz, Z Walsh, Ellie Land, and Assia Boundaoui.

Mary McGee shares stories from her life as the first American woman to race motorcycles in Motorcycle Mary (United States). In Songs of Love and Hate (Nepal, Belgium), the heartbroken host of a love advice radio show traverses the mountains, haunted by testimonies from his audience. Dark Matter (Australia) follows Leo Berkeley, a chronically ill Melbourne filmmaker, as he observes inner city apartment living and grapples with the nature of his existence. The first year of a love story between two long-haired trans men unfolds via messages and pics in You can’t get what you want but you can get me (Netherlands, Finland, Germany, United States). Plunge (United Kingdom) depicts a journey of mental health within the vast reaches of the ocean, where one woman finds peace in both her body and mind. In Estranged Letters (United States), Maryam Taghavi discusses her ideas and background as she prepares to open a solo exhibition at the Museum of Contemporary Art in Chicago.

Synopsis

From unforgettable chance encounters to complex lifelong relationships, these powerful films from visionary auteurs explore the depth of human connections, the transcendent nature of shared language, and the ways life’s twists and turns can strengthen — or challenge — those bonds. Featuring works by Adebukola Bodunrin, Don Josephus Raphael Eblahan, Tara Shehata, Rúnar Rúnarsson, and Alkis Papastathopoulos.

In We Are Not Alone (Canada, United States), a young Nigerian immigrant enlists the help of a stranger to communicate with an extraterrestrial vessel approaching Earth that promises to take her away from a lonely world. A man who lives in the forest may be the cause of a series of disasters plaguing a small village in Vox Humana (Philippines, United States, Singapore). Alone with You (Lewahdena) (Egypt) explores the weight of cultural expectations on an Egyptian couple in their thirties. A lonely man struggles to hide his alcohol addiction during an important reunion with an estranged loved one in O (Iceland, Sweden). And in Honeymoon (Greece, France, Cyprus), a road trip is troubled by transphobic violence against two best friends, and the fluctuating emotions between them.

Synopsis

Aicha lives in Tunisia’s isolated north with her husband and youngest son. Following the departure of their oldest boys to fight alongside ISIS in Syria, the family exists in a state of fear and uncertainty. Then Mehdi, her oldest, reappears unexpectedly with a mysterious, pregnant bride, and a creeping panic begins to take hold of the family and surrounding community. Mehdi’s return seems to trigger strange happenings around the village, and an unseen darkness lurks around every corner. Shot with stunning intimacy, director Meryam Joobeur deploys breathtaking close-ups that turn faces into landscapes. Charged, wordless gazes and an unsettling, dreamlike atmosphere deepen the sense of mystery as Aicha quietly struggles between her instinct to protect her family and her moral commitment to root out the truth.

Synopsis

Spanning one sunset to another, When the Light Breaks is a whisper-quiet rumination on love, beauty, and human perseverance in the face of disaster. Two lovers, Una and Diddi, look toward the horizon at the end of a long Icelandic summer day. Una, a passionate performance art student, dreams of the future, which begins with the two lovers announcing their well-kept secret relationship to their friends. Then a sudden, devastating tragedy befalls Reykjavík, and Una and her friends are forced to reckon with a broken new reality. Visionary director Rúnar Rúnarsson (Sparrows, 2015) deploys a haunting score while training his expressive, incisive camera on a talented young cast to create an intimate, hushed examination of loss and grief.