Synopsis

Winner of four Ariel Awards—for Best First Feature, Original Screenplay, Actress, and Breakthrough Performance—and selected as Mexico’s official submission for the Best International Film Oscar, We Shall Not Be Moved tells the story of Socorro—played by Luisa Huertas in a tour-de-force performance—a retired lawyer consumed by her obsession to find the soldier who killed her brother during the student protests of October 2, 1968, when demands for democracy and justice were brutally silenced in Mexico City’s Tlatelolco Square. Nearly six decades later, her relentless pursuit has fractured her relationships with her sister, Esperanza, and her son, Jorge. When a new clue emerges, Socorro sets out on a perilous quest for vengeance, putting her family, her legacy, and her own life in jeopardy. Shot in striking black and white, director Pierre Saint Martin Castellanos delivers a powerful and intimate reflection on the enduring wounds of Mexico’s modern history.

Synopsis

Oscar, an aging wannabe poet who never quite broke through, is past his prime. He drinks too much, his relationship with his daughter is in dire straits, he has no career prospects, and he is living with his mother. He takes a teaching job at a high school in hopes of putting his life back together. There he meets Yurlady, a promising poet from a lower-class family whose writing captures his attention. Attempting to redeem himself both personally and professionally, he decides to take her under his wing and mentor her through a program for talented young writers. Yurlady’s writing is met with instant acclaim, and she’s hastily shepherded into the spotlight—but when the attention proves too much for her, the situation begins to spiral out of Oscar’s control.

At once an honest portrait of ambition and failure and a farcical sendup of institutional exploitation, A Poet thoughtfully dissects the class and power dynamics at play in the arts world.

Synopsis

Based on the true story that sparked an international movement, Belén chronicles the harrowing case of Julieta, a young woman falsely accused of infanticide, and Soledad Deza (Dolores Fonzi), the fearless lawyer who takes on the highly controversial, explosive case. In Tucumán, a conservative region of Argentina, Julieta’s trial becomes a flashpoint for the ongoing fight for women’s reproductive rights. As Soledad faces off against a corrupt, classist, and patriarchal legal system, Julieta’s story ignites a groundswell of outrage and solidarity, galvanizing an unstoppable movement for justice and bodily autonomy.

Belén is equal parts gripping courtroom drama, searing critique of systemic injustice, and celebration of resilience and sisterhood.

Synopsis

From The Wizard of Oz to the Twister movies, the tornado has become an iconic American symbol. In A Brief History of Chasing Storms, Chicago filmmaker Curtis Miller takes us on a road-trip through “tornado alley”—an ever-widening region that extends from Texas and Oklahoma across the Great Plains and up into Wisconsin and Minnesota. Along the way, he reflects on the multifaceted myths and histories around the famously destructive weather events, recounted by those who have been impacted as well as by opportunists looking to profit.

From a guide at the Twister Museum to the owner of a company that builds tornado shelters and a team of intrepid storm chasers, tornado-philes of all stripes are featured as the film traverses the U.S., capturing the landscape in carefully staged tableaux. Through an evocative series of vignettes, quirky yet swirling with meaning in a world increasingly reshaped by environmental catastrophe, this thoughtful cinematic essay maps out the ways in which history, inequality, climate, colonization, and capitalism are entwined with these natural disasters.

Synopsis

Fiercely independent eighty-year-old Spaniard María is a vibrant lifelong member of her beloved Tangier community, but her stability is threatened when daughter Clara arrives for a long-overdue visit. In dire financial straits after a divorce, Clara intends to sell the family home, left to her by her late father, and even begins liquidating the property’s antiques to hasten the proceedings. But María won’t go so easily. Determined to find the financial means to keep her apartment and win back her belongings, María sets out on a surprising, romance-fueled late-in-life adventure.

Screen legend Carmen Maura (Women on the Verge of a Nervous Breakdown, Volver) delivers an unforgettable performance suffused with warmth, humor, and gentle defiance in this crowd-pleasing story of a woman refusing to relinquish neither her independence nor her dignity. Making her Spanish-language debut, Moroccan director and Festival alum Maryam Touzani (The Blue Caftan) brings a palpable sense of place to the screen. She renders María’s colorful coastal enclave in bright hues and her winning ensemble of neighbors with affection, richness, and complexity.