Synopsis

During the hot Corsican summer of 1995, teenager Lesia is whisked away from the beach to a secret villa. Initially nonplussed, she’s excited when she realizes the reason for this sudden departure: she’s going to spend time with her father. Wanted by the authorities for his ties to violent, criminal acts, he’s hiding out in a compound. And although she’s not allowed to make phone calls to the outside world, Lesia is thrilled for some quality time with her outlaw dad. But when war erupts in the underworld, the two are forced to face one another as their familial bond is brought to its breaking point. The idyllic, sun-baked island serves as the backdrop for this explosive drama mixed with a heart-pounding coming-of-age thriller, anchored by a tour-de-force performance from newcomer Ghivanna Benedetti and directed with assurance and precision by Julien Colonna.

Synopsis

Iconoclastic French filmmaker Leos Carax (Holy Motors, ChicagoIFF 2012 Gold Hugo winner) reflects on his work and life in this personal cinematic essay. Nodding to the late style of New Wave master Jean-Luc Godard, whose voice can be heard on the soundtrack, the film assembles footage from Carax’s work and situates it within the broader history of cinema. Originally commissioned for an exhibition hosted by Paris’s Pompidou Center, the museum asked the auteur to respond to a simple question: “Where are you at, Leos Carax?”

No subject is off limits, no idea too small or large. The result is a dazzling, playful masterpiece of freely associative montage that includes everything from nostalgic film clips to heartbreaking voicemail recordings to ecstatic spectacles of dancing puppets. Essential viewing for fans and newcomers alike. Just be sure to stay for the post-credits sequence.

Synopsis

Nana is a young girl living on a remote volcanic island that much of her family, including her mother, have long since fled. When Nana falls ill to a strange fever, she is sent to the foot of the island’s volcano for treatment by the local healer. There, she encounters a world steeped in magical realism, suspended between dream and reality.

Hanami is a stunning, surreal look at family and community in Cabo Verde, an island nation whose diaspora far outnumbers its residents. Exploring the necessity of migration and the void it leaves behind, filmmaker Denise Fernandes paints a sweeping portrait of the inherited echoes between daughters and mothers — all set against the otherworldly landscape of Ilha do Fogo, Cabo Verde and its volcano.

Synopsis

2021. A wooden statue depicting King Gezo, who ruled the Kingdom of Dahomey (present-day Benin) in the mid-1800s, is carefully packed into a box. He is among the 26 stolen artifacts selected to make a long-overdue return journey from Paris to Benin. As he’s stowed away, his internal monologue booms on the soundtrack. How does he feel about his imminent homecoming? Master filmmaker Mati Diop (Atlantics) ponders this question and many more in this imaginative meditation on post-imperial Benin and its continuing, complex colonial legacy. Inflected with fantastical flourishes, Diop carefully documents the painstaking work of transporting these priceless objects and observes a debate among students at the University of Abomey-Calavi. How should these treasures, stolen from their ancestors, be received by a nation that has reinvented itself in their absence?

Synopsis

For Hamid, the past is never far behind. A former literature professor from Aleppo now working undercover in Europe, the Syrian exile spends his days trying to track down the  guard responsible for torturing him — and countless other political prisoners — at the infamous Sednaya prison. In weekly phone calls with his mom, who’s now living in a refugee camp in Beirut, Hamid tries to pretend like everything is fine. But a promising new lead has emerged at a university in Strasbourg, and every cell in Hamid’s body is screaming that this is the man. Will he be able to keep his cool long enough to get proof?

Director Jonatham Millet displays a remarkable command of tone in Ghost Trail, which engages with recent history in a tastefully controlled manner while still giving audiences the tension they crave. Star Adam Bessa is magnetic as the haunted Hamid, and his scenes with Tawfeek Barhom — who co-stars as suspected war criminal Harfaz — crackle with suspense. But the most skillful and subtle shift here is from the excitement of a political thriller to something much sadder, as Ghost Trail mourns the losses that have brought Hamid to this point in his life.