Synopsis

A majestic follow up to his 2011 tour-de-force Pina, Wim Wenders’ latest 3D documentary is another luminous portrait of an iconoclastic artist, Anselm Kiefer, one of the most innovative painters and sculptors of our time. Wenders traces Kiefer’s path from his native Germany to his current home in France, connecting his life and controversial work over five decades in a mesmerizing visual experience.

While Wenders’ 6K high-resolution cameras track around monumental installations, sculptures, and enormous paintings, capturing in lucid detail all their mythic splendor and elemental power, the film also touches on the personal history of the man. Featuring stylized dramatic reenactments (with Wenders’ grandnephew Anton and Kiefer’s son Daniel portraying the artist), the film explores Anselm’s complicated relationship with his country’s Nazi past and his outsized impact on contemporary art.

Synopsis

Five women across three generations are struggling to keep their decaying family hotel afloat. When Piedade’s daughter Salomé arrives on the scene, old resentments begin to bubble to the surface. The film’s wounded characters collide with one another in frank confrontation as layers of generational trauma are laid bare. The deteriorating architecture of the hotel looms over the action, reflecting the characters’ inner turmoil and embodying the fraying ties of a family on the verge of being torn apart.

Synopsis

In a remote village in northern Senegal, the introspective Adama finds himself drawn to Banel, a passionate and rebellious spirit. Together, they make the bold decision to carve out their own destiny, opting to live independently from their respective families and be with each other. When Adama refuses to step into the role expected of him as the village’s future leader, it sets off a chain reaction that challenges tradition and tests the strength of their love.

With striking cinematography enriched by subtle elements of magical realism, Banel & Adama presents a visually enthralling journey.

Synopsis

In this wondrous and warm-hearted portrait, director Sari Braithwaite (ChicagoIFF winner [Censored]) follows a very unique Australian family. Middle-aged and deeply in love, thoughtful and witty couple “Buddha” Barnes and Janet Sharrock live in a dusty working-class Melbourne suburb, still caring for their five adult kids from separate marriages. Adding to the complexities of a mixed family is the fact that they are all neurodivergent, living with a range of conditions from autism to depression to extreme dyslexia.

Sharing their deepest thoughts, fears, and dreams, we get to know each of the family members as they confront their vulnerabilities. And of course life, in all of its joys, misfortunes, and traumas, gets in the way. Blending the mundane with the universal through intimate verité footage and poetic shots of starry nighttime skies, Because We Have Each Other is a tender chronicle of the most normal, extraordinary lives.

Synopsis

Pulled pork, ribs, and liverwurst sandwiches — these are a few of the Southern delicacies filmmaker Eric D. Seals grew up eating alongside his father, Donnie Seals, Sr. But after facing death and undergoing the first of three quadruple bypass operations, the elder Seals decided to completely overhaul his life. Bike Vessel chronicles Donnie’s new chapter after becoming an avid cyclist, and follows the two men as they set out on an epic bike ride from St. Louis to Chicago.

Filled with flat tires, GPS snafus, and fast-food detours, the documentary is both a funny document of a father-son road trip and a powerful social statement. Through Eric and Donnie’s relationship, it takes a hard look at health disparities in the Black community and the systemic racism plaguing the well-being of Black men in America.