Synopsis

Dark comedy meets despair in Park Chan-wook’s latest thriller satirizing the social pressure and shrinking industries facing today’s workers in South Korea and beyond. Squid Game’s Lee Byung-hun stars as Man-soo, a long-time Solar Paper employee whose sense of self is imperiled after he abruptly loses his job.

Terrified that the trappings of success—professional recognition, handsome home, loving family—will slip from his grasp, he searches for a new role as bills begin piling up. At his wit’s end, he hatches a scheme to identify, then eliminate, his competition for the last remaining position in specialty papers. With mounting absurdity and desperation, Man-soo lures his rivals into his deadly trap using the empty promise of employment in their all-but-obsolete industry, convincing himself at every turn of the truth behind the film’s title: that he has no other choice.

Brought to life by Park’s singular talent for masterfully depicting the bleakest situations, the director’s latest is further animated by a compelling turn from his leading man that is equal parts heartbreaking and unhinged.

Synopsis

Nouvelle Vague is Oscar-nominated director Richard Linklater’s love letter to the spellbinding magic of French cinema, reimagining the making of Jean-Luc Godard’s revolutionary Breathless, which ultimately cemented Godard as a pioneer of the French New Wave. As critic-turned-director Godard makes and breaks the rules, as a mix of fresh faces and daring talents—including Zoey Deutch as Jean Seberg, Aubry Dullin as Jean-Paul Belmondo, and Guillaume Marbeck as Godard himself—bring his spontaneous, electric film to life. Capturing the youthful dynamism and creative chaos at the heart of one of the world’s most beloved and influential movies, Nouvelle Vague transports us to the streets of 1959 Paris for an ode to the power of cinema to transform our lives.

Screening in 35mm.

Synopsis

From acclaimed Argentine auteur Lucrecia Martel, known for her poetic and dreamy class-conscious dramas (La Cienaga, The Holy Girl, The Headless Woman) comes a very different, but no less compelling, portrait of inequality. Martel chronicles the trial of three men who entered the Indigenous community of Chuschagasta in northern Argentina to take ownership of the land and then killed the community’s leader, Javier Chocobar. Drawing on vivid archival video of the incident, caught on cellphone cameras, Martel closely follows the story of the crime, its punishment, and its far-reaching consequences.

Part courtroom drama and part lyrical look at the past, present, and future of the Chuschagasta people, Nuestra Tierra provides a broader context for the murderous act and offers a space for members of the community to reclaim their lives from a government that has long tried to deny not only their rights to the land but even their very existence. With a keen eye for symbolic details and for the tensions between tradition and modernity, nature and technology, Martel also tells a larger tale about the perennial struggles and injustices embedded in contemporary society.

Synopsis

Budapest, 1957. In the aftermath of a quelled uprising against the ruling Communist party, a young Jewish boy named Andor and his mother are struggling to make ends meet. Both work at a local general store, living in fear of the regime’s violent reprisals against friends and coworkers involved in the failed revolution. When a menacing, brutish man appears in town, claiming to be Andor’s father, the boy is plunged into personal crisis as he’s forced to come to grips with a new and unwelcome family history.

Director László Nemes (Son of Saul) sets this tender, heartbreaking coming-of-age tale amid a violent historical backdrop, balancing the intimate and internal against the grand sweep of history. The struggles of Andor and his family mirror the tumultuous reckoning of the post-WWII world, as Orphan bears witness to the tyrannies of the period through the eyes of a child.

Screening in 35mm.

Synopsis

At an all-boys water polo camp, anxious twelve-year-old Ben tries to find his niche amid the social hierarchy. The pecking order quickly becomes clear: At the top, the charismatic camp veteran Jake; at the bottom, Eli, an awkward misfit shunned by the others for being allegedly afflicted with a contagious “plague,” marked by red blotches that could be acne, or… something else. As Ben navigates between his desire for acceptance and sympathy for Eli, he is forced to confront his own complicity in the malevolence of adolescence, and whether it is better to be cruel or cast out.

Skillfully blurring the lines between reality and horror, The Plague is a tense and suspenseful coming-of-age thriller. The setting is also pitch-perfect: Few things evoke more terror than a teenage boys’ locker room. With breakout performances from young actors Everett Blunck and Kayo Martin, and a strong supporting turn from Joel Edgerton as a camp director ill-equipped to tamp down the rising mayhem, this stylish and unnerving film brilliantly exposes the sickness of social pressure.