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Banner: the 61st Chicago International Film Festival

Genre: Film on Film


In a hallway of an opulent church, a man holding a gun stands above a group of nuns.

Black Rabbit, White Rabbit

Shahram Mokri  |   Tajikistan, U.A.E.
Russian, Tajiki  
Drama, Film on Film, Social Commentary, Thriller

Surreal visuals and wry humor animate a layered tale of a prop master who worries over a weapon on set and a conspiracy-minded car-crash victim.

The profile of an animated coyote holding an umbrella and standing in the rain, illuminated by streetlights.

Bouchra

Orian Barki, Meriem Bennani  |   Italy, Morocco, U.S.
Arabic, English, French  
Animation, Family Affairs, Film on Film, LGBTQ

In this animated docu-fiction hybrid, queer coyote Bouchra sets out to make a film, hoping to make sense of her mother’s struggle to accept her sexuality.

An elderly man in a feathered headband stands in front of a mirror, putting in vampire teeth.

Dracula

Radu Jude  |   Romania, Austria, Luxembourg, Brazil
Romanian  
Comedy, Film on Film, Literary Adaptation, Social Commentary

A vampire hunt, an AI-generated Vlad the Impaler, a vulgar folktale, and much more collide in this unforgettable retelling of the Dracula myth.

An elderly person holds a strip of film up to a light, inspecting its contents.

The Eyes of Ghana

Ben Proudfoot  |   U.S.
English, Ga, Twi  
Film on Film, Historical, Political

This inspirational story of reclamation follows a 90-year-old film pioneer on a mission to restore his images of Ghana’s journey to independence.

Seen in black and white, a man in sunglasses sits on a bench, smoking.

Nouvelle Vague

Richard Linklater  |   France
French  
Drama, Film on Film, Historical

This playful love letter to cinema reimagines the making of Jean-Luc Godard’s Breathless in an exuberant exploration of the forces that shaped the French New Wave.

A man stands on a balcony inside a broken down building, covered in smoke and blue light.

Resurrection

Bi Gan  |   China, France
Chinese  
Action, Fantasy, Film on Film, Science Fiction

In a future society that has lost the desire to dream, a curious creature catalogues the fantasies of rebel “Fantasmers,” creating a wild cinematic tapestry.

Two women lay in a bed, with one woman cradling the head of the other.

Sentimental Value (Affeksjonsverdi)

Joachim Trier  |   Norway, France, Denmark, Germany
English, Norwegian  
Drama, Family Affairs, Film on Film, Women-Centered

Two sisters reunited with their estranged filmmaker father must confront their family’s complex past when he returns to direct a very personal film.

A film set scene shows a person in rustic costume sitting at a wooden table with bread and fruit, their back to the camera. A crew member in red holds a clapperboard labeled “João Liberada,” while a boom microphone hangs above. The textured stone wall and simple props create a historical atmosphere.

Two Times João Liberada (Duas Vezes João Liberada)

Paula Tomás Marques  |   Portugal
Portuguese  
Film on Film, Historical, LGBTQ, Women-Centered

An actress playing a gender-nonconforming historical figure fights to empower their legacy in this enchanting film on filmmaking.

Six people pose together in front of a sky backdrop with a rainbow. They all wear light blue button-up shirts, khaki pants, oversized glasses, and curly black wigs, striking playful and exaggerated poses. One person kneels in front while the others stand, giving the scene a humorous, staged feel.

We Are Pat

Rowan Haber  |   U.S.
English  
Comedy, Film on Film, LGBTQ, Social Commentary

A whimsical and complex interrogation of “Pat,” the famously awkward, androgynous SNL character created by comedian Julia Sweeney in the early 1990s.

Four people rest in the branches of a leafy tree in a meadow. A man lies stretched across one branch, two boys perch higher up, and an older man stands at the trunk, holding on gently. The scene feels quiet, natural, and intimate.

Wind, Talk to Me (Vetre, pričaj sa mnom)

Stefan Djordjevic  |   Serbia, Slovenia, Croatia
Serbian  
Drama, Family Affairs, Film on Film

A filmmaker, enlisting the help of his winsome family, blends fiction and reality to create an intimate, tender monument to his late mother.

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