Synopsis

CineYouth is Cinema/Chicago’s annual festival for filmmakers aged 22 and younger. This “best of fest” program showcases eight award-winning shorts from CineYouth 2024, and includes surrealist comedies, touching dramas, and boldly crafted stories from young people with impressive visions. Featuring work by Caroline Bates, April Aquino, Mitch Davila Armendano, Roso Pérez Bueno, Raine Yung, Nathan William Frost, Olivia Huilin Gao, and Ángel Villahermosa.

A group of friends come to terms with the end of childhood in a dying tourist town in Space Coast (United States). In Trigonometry’s Ultimate Method to Putting the Fun Back in Your Own Funeral (United States), a character’s untimely death inspires him to go out with one last hurrah by crashing his own funeral. Mitch, Jaden, and Stevie, three students with visual impairments at the Colorado School for the Deaf and Blind, detail common misconceptions and their struggles for accurate representation in Blind Sighted (United States). As a toxic substance slowly ravages a celebrity’s body, he has to decide how far he will go for the advertising money in Too Much Sand (Sweden). I Can No Longer See (United States) is a self-portrait of trauma, objectification, and relief told through a collection of experimental shorts. Artist On The Go! (DS Advanced Unreleased Gameplay) (United States) is a surreal, nightmarish game in which the player (or viewer) is charged with completing abstract and frightening tasks. In The Damp Season (United States), a young girl comes across the teenaged version of her estranged immigrant mother. And as Pablo falls in love with altar boy Sebastián, he finds that God is obstructing their relationship in more ways than one in Body of Christ (Mi primera comunión) (Spain).

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Synopsis

As a toxic substance slowly ravages a celebrity’s body, the question left to ask is, how far would you go for the advertising money?

This film screens as part of the Best of CineYouth 2024 program.

Synopsis

From unforgettable chance encounters to complex lifelong relationships, these powerful films from visionary auteurs explore the depth of human connections, the transcendent nature of shared language, and the ways life’s twists and turns can strengthen — or challenge — those bonds. Featuring works by Adebukola Bodunrin, Don Josephus Raphael Eblahan, Tara Shehata, Rúnar Rúnarsson, and Alkis Papastathopoulos.

In We Are Not Alone (Canada, United States), a young Nigerian immigrant enlists the help of a stranger to communicate with an extraterrestrial vessel approaching Earth that promises to take her away from a lonely world. A man who lives in the forest may be the cause of a series of disasters plaguing a small village in Vox Humana (Philippines, United States, Singapore). Alone with You (Lewahdena) (Egypt) explores the weight of cultural expectations on an Egyptian couple in their thirties. A lonely man struggles to hide his alcohol addiction during an important reunion with an estranged loved one in O (Iceland, Sweden). And in Honeymoon (Greece, France, Cyprus), a road trip is troubled by transphobic violence against two best friends, and the fluctuating emotions between them.

Synopsis

A lonely man struggles to hide his alcohol addiction during an important reunion with an estranged loved one. A naturalistic and unflinching glimpse into one man’s inner turmoil, this stark and intimate portrait is told with profound humanity.

This film screens as part of the Dramatic Shorts: Talk To Me program.

Synopsis

Anchored by a pair of winning lead performances, this unexpected romance tenderly examines human connection. Mahin, 70, lives alone in Tehran after her husband dies and her daughter moves to Europe. She spends her days in solitary routine, cooking and tending to her backyard garden. Out to tea one afternoon, she catches the eye of an eligible senior bachelor. Inspired to break from her everyday drudgery, she seizes the opportunity to revitalize her love life. What follows is an unpredictable, eventful chronicle of a single unforgettable evening. Bursting with life, this unconventional, at times surreal delight weaves together social critique and light comedy as it reflects on what it means to live as a woman under restrictive social and political circumstances.