Synopsis

In a sedate corner of Massachusetts circa 1970, James Blaine Mooney (Josh O’Connor) is an unemployed carpenter who has yet to live up to the expectations of his middle-class upbringing. With his eyes on easy money, Mooney plots his first big theft with a ragtag group of local buddies to steal a series of abstract paintings from a small regional museum. But things don’t go exactly as planned, and Mooney finds himself in one mishap after another, as both his personal and professional life unravel.

Like director Kelly Reichardt’s previous films Night Moves and Meek’s Cutoff, The Mastermind reinvents genre yet again, here reshaping the heist movie into a study of the unforeseen consequences of one man’s bad decisions and lack of self-awareness. Enhanced by a percussive ‘70s-inspired jazzy score, as well as O’Connor’s skillful performance as the vain and blundering so-called “mastermind,” this amusing low-key drama is also one of Reichardt’s wittiest films. Beneath its dry humor lies a biting and timely satire about class, privilege, and the denial of responsibility.

Synopsis

Weekending in the countryside, Laura’s life is turned upside down by a violent car crash. She survives, and though she miraculously suffers only minor physical injuries, the accident leaves her dazed and adrift. A local woman who witnessed the incident offers to take her in while she regains her bearings, tending to her with motherly dedication. Over time, the woman’s husband and son, initially skeptical of the unconventional arrangement, come to see this stranger as a member of the family. Soon, though, the ghosts of the past come calling, forcing Laura toward a reckoning.

Veteran auteur Christian Petzold (Transit, Undine) offers a filmic puzzle that plumbs the depths of human psychology and poses questions about the transitory nature of identity. Actress Paula Beer imbues Laura with an enigmatic, elusive depth, while a hauntingly beautiful score suggests that mystery and menace lurk beneath the warm glow of the sun-dappled landscapes.

Synopsis

A reclusive necromancer and a young woman battling uterine cancer form an intense and intimate bond in the latest haunting film from The Adams Family, the horror dream (or nightmare) team and real-life family that writes, edits, directs, and stars in all their films.

A spiritual sequel to 2021 Festival entry Hellbender, the film follows Mickey and her father Jake on a journey into the depths of a forest lush with morbid imagery. There, the mysterious Solveig awaits with an unconventional cure for Mickey’s disease. She expects no payment for her magical remedy—but dark magic always has its price. Brought together by their shared familiarity with the death that shadows all living things, Mickey and Solveig become engrossed in their bloody and transformative rituals while Jake’s skepticism pushes him to seek answers: Who is this strange woman? And what are these archaic methods that seem more likely to cause harm than to heal?

Mother of Flies is poetic and personal, speaking to the interwoven processes of life and death, the horrors of motherhood gone awry, the power of belief, and The Adams Family’s own experience with cancer.

Synopsis

​​When Jihan was six years old, her father, Mansur Rashid Kikhia, a notable Libyan politician and human rights lawyer, flew to Egypt and never returned. In the late 1970s, during the brutal dictatorship of Colonel Muammar Qaddafi, Kikhia had served as Libya’s ambassador to the United Nations until finally resigning in protest and moving to America where he helped lead a peaceful opposition movement. Then, in 1993, he vanished.

In this captivating film, part political mystery and part personal exploration, filmmaker Jihan sets out to find the truth behind her father’s disappearance. With the help of her mother, a strong-willed Syrian American artist, Jihan pieces together the history of the father she barely remembers and the troubled politics of their past. Combining a superb collection of archival footage and intimate, revealing interviews, My Father and Qaddafi takes the audience on a raw and reflective journey about a daughter’s struggle to connect with her father, a man caught between autocracy and resistance.

Synopsis

On what begins as an ordinary day, two brothers wait—restless, suspended—for the return of their estranged father, journalist and activist Folarin. He suddenly appears and takes his sons on a thrilling, unexpected trip into Lagos to collect his long-overdue unpaid salary. Set against the backdrop of Nigeria’s pivotal 1993 presidential election, one that offers a choice between military rule and democracy, the city is bracing for backlash. Together, the three must navigate the commotion as the nation breathlessly awaits the results.

Based on director Akinola Davies Jr.’s personal experiences, My Father’s Shadow is a poetic and moving meditation on love, legacy, and the human cost of political conviction. The film delicately traces the intersections of social resistance and private reckoning, tenderly contrasting a complex portrait of fatherhood against his sons’ coming-of-age. Beautifully textured 16mm images lend authenticity and nostalgia to this snapshot of history.