Experimental Shorts: The Act of Seeing

Synopsis

The seven short films in this program radically push towards new and singular forms of expression. Through the use of archival footage, historical recreation, and dreamlike narratives, these films grapple with the past and the future of cinema — and the world. Featuring works by Marisa Hoicka, Isadora Neves Marques, María Salafranca, Valentin Noujaïm, Chi Jang Yin, Alison McAlpine, and Kevin Jerome Everson.

Teen Girl Fantasy (Canada) is a poetic archival excavation of the complex cultural signals surrounding teen girlhood. In My Senses Are All I Have to Offer (As minhas sensações são tudo o que tenho para oferecer) (Portugal), Lourdes and her girlfriend Lana can communicate telepathically using “sensory pills.” Black Shadow (Negra sombra) (Cuba) is a delicate and deeply moving portrait of Maria, a griveing woman. In To Exist Under Permanent Suspicion (France), a woman has fantasies of burning the skyscraper in which she works. Newly discovered archival images of postwar Hiroshima mix with contemporary footage of the city in I Was There, Part II (U.S., Japan). In Perfectly a Strangeness (Canada, Chile) three donkeys wander an abandoned landscape and come upon an observatory. And Hazel (dual) (United States) is a dual-screen recreation of Eddie Hazel’s famous 10-minute guitar solo on the song “Maggot Brain” by Funkadelic.