Synopsis

From the Oscar-nominated director of Fire at Sea comes an immersive and impressionistic portrait of humanity at the precipice. With Below the Clouds, celebrated filmmaker Gianfranco Rosi trains his camera on communities living in the shadow of Mount Vesuvius, the volcano famous for burying the city of Pompeii nearly two centuries ago. Today, the area lies at a unique juncture between historic calamity and contemporary anxieties. As museum workers labor to preserve Pompeii’s extraordinary ruins and precious artifacts, the film also ventures into tunnels and classrooms, encounters firemen and teachers, and observes Japanese archeologists in the field and Syrian sailors shipping grain from Ukraine.

Filmed in luminous black and white and replete with haunting images from smoky skies to murky depths, Below the Clouds uniquely connects the sublime with the everyday. One of its most memorable refrains is its return to an emergency call center tasked with assisting harried citizens with problems both minor and harrowing. When the region is hit with a significant earthquake, the heavy legacy of history weighs on the panicked callers seeking help. Eruptions and disruptions, it seems, continue to come in many forms.

Synopsis

Set against the backdrop of an ever-changing Tokyo, Brand New Landscape is an assured, complex debut inflected with an ingenious injection of the surreal. Reeling after the death of their mother and long estranged from their father, twentysomething siblings Ren and Emi are left to their own devices. Making ends meet delivering flowers, Ren spends his days carrying the weight of his mother’s absence and simmering in anger over his father’s silence. Meanwhile, Emi is about to marry and put the past behind her. When an urban development project compels their father to return to the city, the siblings are forced to reckon with their painful family history as they are offered one last chance at reconciliation.

Featuring a collection of stunning performances and beautifully composed images, the film draws parallels between Tokyo’s shifting landscape and the family’s tumultuous path toward reunion. Filmmaker Yuiga Danzuka crafts a mesmerizing reflection on the price of progress and change at scales both large and small.

Synopsis

For the first time, Chainsaw Man slashes his way onto the big screen in an epic, action-fueled adventure that continues the hugely popular anime series. Denji worked as a Devil Hunter for the yakuza, trying to pay off the debt he inherited from his parents, until the yakuza betrayed him and had him killed. As he was losing consciousness, Denji’s beloved chainsaw-powered devil-dog, Pochita, made a deal with Denji and saved his life. This fused the two together, creating the unstoppable Chainsaw Man. Now, in a brutal war between devils, hunters, and secret enemies, a mysterious girl named Reze has stepped into his world, and Denji faces his deadliest battle yet, fueled by love in a world where survival knows no rules.

Synopsis

If Invasion of the Body Snatchers traded pods for human pyramids and took place in a Japanese high school, it would be New Group.

Ai is an ordinary schoolgirl easily swayed by the opinions of her peers. But her worldview begins to change with the arrival of nonconformist newcomer Yu, who returns from living abroad just in time to witness a series of unexplained events taking hold in their community. The bizarre phenomenon begins with a student freezing on all fours in the middle of a soccer field; soon, others join in, positioning themselves alongside and on top of him. Before long, the entire town is overrun with human pyramids. In a world where no one is safe from these random gymnastic formations—or the self-styled fascist leadership aligning itself with these “new groups”—Ai and Yu must renounce individualism and assimilate or face destruction.

A disarming and strange second feature from director Yûta Shimotsu, New Group takes body horror in grotesque directions to create an eerie new entry in the contemporary J-horror canon. The uncanny contortions gleefully captured by the filmmaker’s kinetic camera are both funny and disturbing—but the film’s astute commentary on the rise of authoritarianism in today’s world is what’s most unsettling.

Synopsis

In 1987 suburban Tokyo, sensitive eleven-year-old Fuki is faced with her father’s terminal illness without much in the way of emotional support from her overwhelmed mother. Left to her own devices, she retreats into her own imagination, developing an interest in telepathy and a penchant for phoning into a dating agency. Seeking out adventures, she begins to navigate the difficult terrain of early adolescence, all the while trying to process the tremendous loss looming on the horizon.

Reaching back to a formative chapter from her own life, Festival alum Chie Hayakawa (Plan 75) fashions an impressionistic sketch of a girl adrift. The irrepressible presence of gifted newcomer Yui Suzuki animates every frame—she delivers a mesmerizing performance of richness and complexity beyond her years, transforming Renoir into a moving, episodic character study filled with illuminating insights and beautiful imagery.