Dahomey

2021. A wooden statue depicting King Gezo, who ruled the Kingdom of Dahomey (present-day Benin) in the mid-1800s, is carefully packed into a box. He is among the 26 stolen artifacts selected to make a long-overdue return journey from Paris to Benin. As he’s stowed away, his internal monologue booms on the soundtrack. How does he feel about his imminent homecoming? Master filmmaker Mati Diop (Atlantics) ponders this question and many more in this imaginative meditation on post-imperial Benin and its continuing, complex colonial legacy. Inflected with fantastical flourishes, Dip carefully documents the painstaking work of transporting these priceless objects and observes a debate among students at the University of Abomey-Calavi. How should these treasures, stolen from their ancestors, be received by a nation that has reinvented itself in their absence?

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