Synopsis

In a small village in southern Egypt, a group of girls form a street theater troupe as both a creative outlet and a fearless act of defiance. Challenging the patriarchal norms of their conservative Coptic Christian community, the girls dream of becoming actresses, dancers, and singers. They take to the dusty roads of their town to enact short plays that offer provocative challenges to passersby, asking questions like why a girl cannot marry the boy she loves.

Shot over four years with extraordinary access to its subjects, Nada Riyadh and Ayman El Amir’s film follows these brave girls from adolescence to adulthood, charting the complex and myriad ways in which each must navigate growing up as they form romantic partnerships and  face the social demands of womanhood. As feminist empowerment and aspirational dreams collide with the sobering realities of life, The Brink of Dreams offers a poignant and absorbing coming-of-age story of female solidarity and youthful rebellion. Winner of the top documentary prize at the 2024 Cannes Film Festival.

Synopsis

Day after day, 12-year-old Bailey (Nykiya Adams) projects on her bedroom walls the moments of easy-to-miss beauty she’s forever filming on her phone. Bailey is a born artist, but to find that path, she’ll need to scale some obstacles: a young, unsteady father (Saltburn’s Barry Keoghan), marrying yet again and full of get-rich-quick schemes. A peer group flirting with petty crime. A housing project designed to curb imagination. Life is hardening Bailey by the hour, so it’s a surprise when a soft-spoken, gender-bending stranger named Bird (Franz Rogowski, Passages) alights in her ‘hood, offering friendship while investigating his own painful past. Could this childlike free spirit be Bailey’s guide into a happier life? Or is Bird more complicated than that?

Director Andrea Arnold, a past award winner at the Chicago International Film Festival and at Cannes, returns to the world of hardscrabble adolescence she so vividly explored in Fish Tank and American Honey, both modern classics. But Bird also sees Arnold fly in new directions, blending fiery first-timers with famous faces in her cast, probing further into fluid identities, and scouring the dead ends and concrete jungles of Bailey’s world for new possibilities of grace and redemption.

Synopsis

“Baby” is 18-year-old Wellington’s new persona since he began an exhilarating new life in sex work. After being released from a juvenile detention center to learn that his family has left him behind, he drifts through the streets of São Paulo until catching the eye of Ronaldo. The older man takes Baby under his wing and into his home, teaching him how to be an escort and welcoming him into his queer found family.

The relationship that emerges between Baby and Ronaldo is malleable and complex. Part lovers, part father/son, part boss/employee, it oscillates between caring and volatile. Baby, intoxicated by the freedom and empowerment he finds in sex work, forges out on his own, only to discover the true value of his newfound community. Tender and honest, Baby explores the complexities of queer joy with openness and hope.

Synopsis

The light, the lives, and the textures of contemporary working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut.

Centering on two roommates who also work together in a city hospital—head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)—plus their coworker, cook Parvaty (Chhaya Kadam), Kapadia’s film alights on moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment.

Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness.

Synopsis

Sibyl (Virginie Eifira) is struggling. Unsatisfied with her work as a therapist, she decides to curb her caseload and attempt to write a novel. Suffering from writer’s block, she reluctantly agrees to counsel Margot, a mercurial young film actress embroiled in a messy affair with her co-star. Taking a page straight out of Margot’s tumultuous life, the novel practically starts to write itself.