Synopsis

Winfried doesn’t see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It’s an awkward move, because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. The geographical change doesn’t help the two to see more eye to eye. Practical joker Winfried loves to annoy his daughter with corny pranks. What’s worse are his little jabs at her routine lifestyle of long meetings, hotel bars and performance reports. Father and daughter reach an impasse, and Winfried agrees to return home to Germany. Enter flashy “Toni Erdmann” – Winfried’s smooth-talking alter ego. Disguised in a tacky suit, weird wig and even weirder fake teeth, Toni barges into Ines’ professional life, claiming to be her CEO’s life coach. As Toni, Winfried is bolder and doesn’t hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all.

Synopsis

Like a dream, Mo Harawe’s debut full-length The Village Next to Paradise — the first Somali feature ever selected for Cannes — lingers in the viewer’s memory after it ends, shifting and changing shape with the events of the day. The narrative is simple yet profound: the film follows a newly formed family, each with their own modest dreams for the future. The elder Mamargade seeks employment, his sister Araweelo aspires to own a small shop, and the youngest, Cigaal, imagines a field made of sweets and hopes to attend school.

The volatile backdrop of contemporary Somalia lends a simmering tension to Harawe’s muted storytelling, as drone strikes and political violence threaten to permanently disrupt the characters’ humble way of life. But even in places where death feels close, life must go on — a poignant observation Harawe handles with uncommon grace and artistry.

Synopsis

Luciana, a trusted Italian astrologer, promises her clients a way to make their dreams come true: All they need to do is take a special birthday trip to a destination determined by their astrological profile. Sitting behind her computer, Luciana quickly types in some data. Out comes a client’s wish-fulfilling location, be it Taipei, Beirut, or Alaska. As Luciana’s customers — from fun-loving twins to an elderly woman — venture out, they discover fulfillment in the unlikeliest of places.

Mixing deadpan wit and bittersweet poignance, Slovak director Péter Kerekes (ChicagoIFF winner Cooking History) returns to the Festival with a wondrously stylized documentary that is as surprising and idiosyncratic as its central psychic. No matter what you think of Luciana’s practice, Wishing on a Star offers an authentically sensitive and universal portrait of the human desire for happiness—and the lengths people will go to find it.

Synopsis

Matthias is a master of his profession. He’s the perfect chameleon, impeccably at ease in any social situation, wearing any costume, in any character’s skin. Do you need a “cultured boyfriend” to impress your friends?  A “perfect son” to influence your business partners? Or maybe just a sparring partner to rehearse an argument with a spouse? Whatever it is, Matthias is your man! And he is available for rent. Yet, while Matthias excels in all of these roles, just being himself with his partner and among his friends is a real challenge.

With an appealing absurdist tone and humor that deftly balances incisive wit with unbridled funny, Peacock takes the “rent-a” concept to the next level. Performance pieces that take delight in sending up the art world and sharp jabs at aspirational culture combine in this corrosive comedy that lays bare the darker essence of human relationships.

Synopsis

Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored of him and decides to seduce Johnny’s best friend, Mark. From there, nothing will be the same again.

“What is this?”
-everyone