Synopsis

When a titan music mogul (Denzel Washington), widely known as having the “best ears in the business,” is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma. Brothers Denzel Washington and Spike Lee reunite for the 5th in their long working relationship for a reinterpretation of the great filmmaker Akira Kurosawa’s crime thriller High and Low, now played out on the mean streets of modern-day New York City.

Synopsis

From award winning writer-director Mona Fastvold (The World to Come, The Brutalist) comes a speculative retelling of the extraordinary story of Ann Lee, founder of the religious sect known as the Shakers. Academy Award-nominee Amanda Seyfried stars as the Shakers’ irrepressible leader — who espoused gender and social equality while believing herself to be the female incarnation of Christ. The Testament of Ann Lee thrillingly imagines the ecstasy and agony of Ann Lee and her followers’ conviction and commitment to her own vision of utopia. More than a dozen original Shaker hymns are transformed into ecstatic “movements,” featuring choreography from Celia Rowlson-Hall (Vox Lux) and music by Academy Award-winning composer Daniel Blumberg (The Brutalist). Screening in 35mm

Synopsis

On the morning of February 8, 1977, Indianapolis entrepreneur Anthony G. “Tony” Kiritsis entered the office of Richard O. Hall, president of the Meridian Mortgage Company, and took the man hostage with a sawed-off 12-gauge shotgun wired to his head. In this ‘70s-style thriller reminiscent of Dog Day Afternoon, acclaimed filmmaker Gus Van Sant (My Own Private Idaho, Good Will Hunting) recreates the incident in meticulous detail, following Tony’s misbegotten attempt to seek retribution from the Hall family for cheating him out of what he felt he was owed.

Featuring commanding performances from Bill Skarsgård as the unhinged Kiritsis, Colman Domingo as a radio DJ who gets up caught in the chaos, and Al Pacino as the grouchy mortgage mogul whose son, played by Dacre Montgomery, is under the gun, Dead Man’s Wire is an eerily timely, unsettling, and captivating story about vigilante justice and the thin line between criminal and hero in American society.

Synopsis

Early 1700s. Venice. The Ospedale della Pietà orphanage has a storied reputation for the distinguished musical education of its residents. The young women’s ensemble performances attract the attention of audiences, patrons, and even suitors, who become enchanted by their talent, believing their training will make them more virtuous wives. Cecilia, a virtuoso violinist, has been promised to a decorated army official upon his return from the battlefield. It is with the arrival of a new musical director—the ambitious composer Antonion Vivaldi—that she is awakened to the power of her musical gift and its possibilities for joy and emancipation.

Celebrated opera and stage director Damiano Michieletto crafts a stunning cinematic work with this story of Vivaldi, underappreciated in his time, through the lens of a young muse, who herself is transformed by music as she finds the inspiration to rewrite her own destiny. Sumptuous costumes and production design are further elevated by an inspired score bringing vibrancy and immediacy to a stirring centuries-old tale.

Synopsis

Tasked with writing an essay for her college application, high school senior Morgan (Ella Rubin) is at a loss. With no real sense of who she is or what she wants, the 17-year-old is hopeful that her much-older half-siblings will provide some inspiration. But after their mother heads off to Europe on a long overdue vacation, the sheltered teen quickly realizes that they might be even more off balance as she is. Charged with keeping brother Josh (Thomas Sadoski) from going off the deep end yet again, Morgan and sisters Lisa (Betsy Brandt) and Dahlia (Aya Cash)—each with their own issues and secrets—struggle to maintain equilibrium as the misadventures mount.

In this endearing Chicago-made dramedy, director Rich Newey and writer Annika Marks (Killing Eleanor) paint a humorous and touching portrait of coming of age at all ages. Featuring winning performances from Brandt (Breaking Bad), Sadoski (Life in Pieces), and Cash (The Boys), and an especially sympathetic turn from newcomer Rubin (Anora, The Idea of You), Adult Children is richly drawn, deeply felt, and warmly amusing.