Harvest

The earthy tones of untamed nature, shot with stunning vibrancy by filmmaker Sean Price Williams, color a nameless medieval village somewhere in England that seems to exist out of time. A tight-knit community of villagers is suspicious of outsiders, and spend their days laboring for the generally affable landowner Charles Kent. Things begin to change when Kent’s nefarious cousin claims ownership over the land and installs plans for massive change. A cartographer is hired, maps are drawn, and the architecture of profit-driven, capitalistic agriculture begins to manifest.

Rich, textured visuals and impeccable performances create a lived-in universe that feels uncannily adjacent to our own. Unfolding over the course of a single hallucinatory week, the English-language debut of “Greek Weird Wave” godmother Athina Rachel Tsangari (Attenberg, 2010) is a breathtaking, atmospheric fable that satirizes modernity and its chaotic fallout.

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