Eephus

It’s late October at Soldiers Field, and two scruffy adult baseball teams in New England are ready to play one last game on their beloved turf before it’s demolished. But Eephus, like the unexpectedly slow curveball it’s named for, is far from straightforward. You might recognize the quaint setting, the “final big game” framework, or characters like Ed, an ornery old pitcher, and Graham, the forthright Riverdogs coach. But director Carson Lund is pitching something different here. The two teams remain neck and neck, daylight turns to dusk, team members have to leave to go home to their families, and yet the game goes on. Eephus is less about baseball and more of a leisurely look at suburban life, the foibles of middle-age masculinity, and the passing of time. Smartly written, occasionally very funny, and entirely unique, it’s a delightful and nostalgic portrait of a fading America.

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